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Basinger looks at the stars who played these women Kay Francis, Barbara Stanwyck, Joan Crawford, Bette Davis, Rosalind Russell, Susan Hayward, Myrna Loy, and a host of others and helps us understand the qualities - the right off-screen personae, the right on-screen attitudes, the right faces, the right figures forcarrying the right clothes - that made them personify the woman's film and equipped them to make believable drama or comedy out of the crackpot plots, the conflicting ideas, and the exaggerations of real behavior that characterize these movies. Black bull drills white amateur mature in hotel room Cuckold licks her cunt as the black bull fucks her doggystyle and cums inside her Ebony girl in glasses sucks cock and takes a huge facial from the white guy Aggressive interracial fuck of her married British pussy with a big creampie Black guy fucks white lady missionary style and gives her a big creampie Married mature white girl gives head to black cock and gets fucked hardcore White wife is used to small cock and the black guy gives her cunt such pleasure Rough black man filling his white mature slave in homemade interracial porn video Best wife porn with cute amateur wife gagging on huge black rod deepthroat Amateur housewife with curly head getting fucked by horny black dude. Films widely disparate in subject, sentiment, and technique, they nonetheless shared one dual purpose: A must have for the film buff. Yes, you women belong in your "proper place" that is, content with the Big Three of the woman's film world - men, marriage, and motherhood , but meanwhile, and paradoxically, see what fun, glamour, and power you can enjoy along the way. Basinger examines dozens of films, exploring the seemingly intractable contradictions at the convoluted heart of the woman's genre - among them, the dilemma of the strong and glamorous woman who cedes her power when she feels it threatening her personal happiness, and the self-abnegating woman whose selflessness is not always as "noble" as it appears. Epprecht explores the diverse ways African cultures traditionally explained same-sex sexuality and follows the emergence of new forms of gender identity and sexuality that evolved with the introduction of capitalism, colonial rule, and Christian education. Now, with boundless knowledge and infectious enthusiasm, Jeanine Basinger illuminates the various surprising and subversive ways in which women's films delivered their message.

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  1. A Woman's View deepens our understanding of the times and circumstances and attitudes out of which these movies were created. In Hungochani, Marc Epprecht seeks to change these limited views by tracing Southern Africa's history and traditions of homosexuality, modern gay and lesbian identities, and the vibrant gay rights movement that has emerged since the s.

  2. In Hungochani, Marc Epprecht seeks to change these limited views by tracing Southern Africa's history and traditions of homosexuality, modern gay and lesbian identities, and the vibrant gay rights movement that has emerged since the s. Using oral testimony, memoirs, literature, criminal court records, and early government enquiries from the eighteenth century to the present, he traces the complex origins of homophobia.

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