As Matt Dillon's girlfriend Patty in Coppola's cult classic Rumble Fish, she had conquered the teenage-siren role and was casting around for a lead to catapult her into the firmament once and for all. His on-set technique, however, involves cheering the stars along like a coach from the sidelines. Her stage career began at six, as a full member of La Mama, a globe-trotting avant-garde theatre company. And they were pointing at each other. Unfaithful's strength is its acute observation of what Lyne calls 'the body language of betrayal'. In fact, she's so refreshingly comfortable in her skin that when asked what she would change about her looks if she could, she doesn't umm and ahh about 'my nose' or anything so cosmetic. Which does for the remaining theories about child stars. I didn't feel like "putting it on", so I wore my house slippers and went to my girlfriend's house.
Because it will surface. Lane has created, not for the first time, that most un-Hollywood of characters: It is no different for Lane, who is obsessed that her daughter not be railroaded into showbusiness and premature stardom as she was. Share via Email If you've ever wondered whether movie stars enjoy shooting sex scenes, think of Diane Lane, star of Unfaithful, whose wild clandestine romps with co-star Olivier Martinez take place in a bed, on a landing and up against the loo wall in a New York cafe. Since her guilt is so transparent, a tribute to her performance, she remains ultimately moral. She was worth millions by the age of 18 and had the world at her feet, but instead of soaring to Jolie or Paltrow heights, or indeed careening into a muddle of drug abuse and therapy, Lane spent the 90s as a 'working actress', a hidden diamond in a string of also-rans and occasionally excellent indies. In fact, she's so refreshingly comfortable in her skin that when asked what she would change about her looks if she could, she doesn't umm and ahh about 'my nose' or anything so cosmetic. And they were pointing at each other. Is it a culling process? Which does for the remaining theories about child stars. Her stage career began at six, as a full member of La Mama, a globe-trotting avant-garde theatre company. I didn't feel like "putting it on", so I wore my house slippers and went to my girlfriend's house. Though she would never excuse her character's affair, Lane explains the impulse to cheat as a need for excitement. The parts are so nuanced and the script so lean that what might have been a standard morality tale becomes instead a complex, sympathetic portrayal of all three players - the cheat, the cheated on and the catalyst. Lane still doesn't understand, particularly in the latter's case. She is also defiantly anti-fabulous, at best bemused by the celebrity circus of which she was once a part. You're consumed by them and your priorities change. That's my bumper sticker about the whole thing. Yet all of this pales into the past now that Unfaithful is out. After all, there was a time when she was so set for success that failure seemed inevitable. But she turned down Splash, which was a hit for Daryl Hannah, and opted instead for Streets of Fire and Coppola's next film, The Cotton Club, which both turned out to be high-profile flops. It's the kind of drive-through interview that tends to give an actress the distant cordiality of a flight stewardess, smiling but with the defences firmly in place. It may well return her to the fame she has successfully ducked for so long. Her first film, A Little Romance, propelled her to the cover of Time at the age of As almost an affront to the mythmakers of Hollywood, for example, she deliberately missed the Oscars this year. Weeks and Fatal Attraction. By the end, you're physically and emotionally shattered' She sips her water and picks lint off her crimson tonic jacket.
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