Even a large vase filled with colourful flowers can have carnal associations. Or, as many people assume, is he being somehow ironic — drawing upon the kitsch, everyday imagery of popular culture to make satirical points about society? For aficionados of the artist, a kind of mythology has sprung up around this job. Continue reading Show less Talk to your kids about Certainly, Banality — the title of arguably the most important exhibition of his career, staged across three international galleries simultaneously in — suggested that something was rotten within the soul of the West. When he employs complex and expensive casting techniques to replicate perfectly in aluminium inflatable pool toys in the shapes of dolphins, monkeys, caterpillars and lobsters, does he genuinely believe that they look beautiful and are worth commemorating as art?
An artist is usually lucky to get one or the other, but — like Warhol — Jeff hit a sweet spot in garnering all three. His art can seem shocking because it appears to be in such appalling taste. After a hapless fracas in a gay bar, Clouseau heads to the Oktoberfest celebrations in Germany, where the world's best government assassins are out to kill him but wind up knocking each other off instead due to the hero's superhuman ineptitude. When he employs complex and expensive casting techniques to replicate perfectly in aluminium inflatable pool toys in the shapes of dolphins, monkeys, caterpillars and lobsters, does he genuinely believe that they look beautiful and are worth commemorating as art? After all, now we live in an age of austerity, increasing inequality and anti-capitalist protest — the antithesis, you could argue, of the sort of world that brand Koons has come to represent. This is paws-down the zaniest of the Peter Sellers Pink Panther movies, the closest they came to resembling the spinoff cartoons in their frantic gags. My hope is always that he is a satirist of Jonathan Swift-like proportions, but it remains unclear. But he is serious. Continue reading Show less Is it any good? Add your rating See all 4 kid reviews. He is a sort of preacher man: Koons must have been making a joke about the corrosive and insidious way in which capitalism has us all in thrall, right? On one level, it is simple to understand why Koons is so controversial: But what really bothers some commentators is that nobody can tell whether or not Koons makes his art with a straight face. Supposedly Koons would wear flamboyant outfits including an inflatable flower hanging from his neck, and he was very good at it: Families can talk about how they feel when nothing seems to be going right, as is often the case for Clouseau. There is plenty here for kids and adults to laugh at, and the intrigue-filled plot resembles the later Austin Powers movies -- but with more old-school slapstick than Austin's raunchy, oft-distasteful bathroom humor. Since emerging in the s, the American has been a media sensation — perhaps not quite in the same league as Madonna or Lady Gaga, but not far off them. Vanity Fair is the most recent publication to run a substantial piece about him, ahead of a new retrospective of his work — the first major chronological overview of his career for more than 20 years — which opens at the Whitney Museum in New York City later this month. But there is another school of thought regarding Koons — one that casts him neither as Swiftian satirist nor as artist-lapdog for international billionaires. For aficionados of the artist, a kind of mythology has sprung up around this job. It's sheer comedic anarchy that goes gleefully over the top. When you read all the stuff he says, first of all you think: All of this has led some people to believe that Koons is a genius as a salesman rather than as an artist. Born in Pennsylvania in , Koons studied art before moving in to New York, where he got a job at the Museum of Modern Art, recruiting new members at a desk in the lobby. In this installment, he's about to be released from the asylum when a calamitous visit from Clouseau drives him to madness again.
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