There's actual build-up, it's not just straight porn. By Heather Dockray Here's what Weisz told queer women's media publication Autostraddle about the film: So kudos to Disobedience for really taking the time to mediate on how queer women have sex. Besides being a genuinely considerate movie with some thoughtful meditations on religion and culture, it has the added thrill of having super erotic sex scenes, made possible because: Repression-era sex scenes are the best kind of sex scenes.
Sadly, that community is relatively small. Kechiche reportedly bullied the two female protagonists as well as his staff, forcing them to work hour workdays under extreme pressure. There's absolutely nothing wrong with any of these erotic ingredients, per se, but it's formulaic and not particularly representational of most queer sex. Repression-era sex scenes are the best kind of sex scenes. They execute realistic sex positions that normal, sexual non-Olympians are capable of performing. There's actual build-up, it's not just straight porn. There's also Mulholland Drive, which had some very brief hot queer moments relative to its era By Heather Dockray Todd Haynes' Carol featured delightfully melodramatic and nostalgic rich lesbian sex scenes, but the scenes were brief in duration, and what they had in quality they lost in quantity. The film tells story of Orthodox Jewish lesbians in London: Historically, they've been excruciatingly hard to find. Don't talk to me about Blue is the Warmest Color, a movie made famous for its extended, impractical sex scenes and allegations of harassment by its director, Abdellatif Kechiche. It's a forbidden love that takes place in a confined setting where people wear lots of uniforms. Representation always matters, whether it's in the Halls of Congress or at your local independent theater. The director didn't exploit his actresses see Autostraddle's interview with Rachel Weisz. This seems like it shouldn't be a victory. The two characters actually seem like each other gulp! Sign up here for the twice-weekly Click Click Click newsletter. Disobedience has come a long way from its queer cinematic origins, and we still have so far to go. There are a few others that make the cut. It was important for him to focus on our faces to really capture that desire. All the wetness, the spitting in the mouth, the pubic hair, the vaginas, but also leaving some of it to the audience to imagine. Queer women deserve to have their queer female sex represented on screen, without it devolving into typical pornographic tropes: The scene clocks in at about eight minutes and never once gets banal — it even throws in a complimentary spit swap. So kudos to Disobedience for really taking the time to mediate on how queer women have sex.
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